Journal Amirani. 2004. Volume 10

Saint Iovane and Zedazeni cloister

Author(s): Thea Kobakhidze

ქართლის სამეფოს დედაქალაქის მცხეთის ჩრდილო-აღმოსავლეთით, მდინარე არაგვის მარცხენა ნაპირზე, ზღვის დონიდან 1350 მ-ის სიმაღლეზე აღმართულია საგურამოს ქედის ერთ-ერთი მწვერვალი - დიდებული ზედაზნის მონასტერი.

Journal Amirani. 2004. Volume 10

Interpretation of Traditional Forms in Contemporary Art (Art of Goudji Amashukeli)

Author(s): Nino Khutsishvili

Goudji Amashukeli is one of the most successful artists of the modernity. The list of Goudji’s exhibitions is very long. As far as prizes and distinctions are condemned. Artist expresses himself following a tradition, which comes to him quite naturally.

Journal Amirani. 2005. Volume 13

"Tbilisoba" of Nikoloz Ignatov

Author(s): Nino Mikava

In diesem Artikel handelt es sich um die im Georgischen Staatlichen S. Dschanaschia-Museum aufbewahrten Skitze, “Tbilisoba”. Dieses Gemälde wurde vom in 80-er Jahren tätigen Wandmaler Nikolos Ignatov geschaffen, der mehrere Arbeiten hinterlassen hat. Der wichtigste Vorteil dieses Künstlers ist Angepasstheit an die moderne monumentale Malerei. Unserer Meinung nach, stellt das oben erweahnte Ignatovs Gemälde Talent und Individualität dieses Künstlers hervorragend dar.

Journal Amirani. 2005. Volume 13

Review-Analysis of Historical Development of Drawing

Author(s): Mzia Chikhradze

The task of our research is to analyze the way of development of drawing, define techniques of a mountart and in general review a wall painting.
A drawing is a representation of a figure, or subjector a landscape on a painting surface done only in one color (mainly, in black).
The earliest “frescos” of caves we could see as a first examples of drawing. Where contour creates the picture and images are colored.. Some researchers consider them more impressive and almost perfect than the drawings of Michelangelo.

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